Selected Stories Page 6

  I jerked around, facing my companion. "Why did those three men want to kill you?" I asked sharply.

  The eyeholes of her mask faced the screen. "Because they're jealous of me," she whispered.

  "Why are they jealous?"

  She still didn't look at me. "Because of him."

  "Who?"

  She didn't answer.

  I put my arm around her shoulders. "Are you afraid to tell me?" I asked. "What is the matter?" She still didn't look my way. She smelled nice.

  "See here," I said laughingly, changing my tactics, "you really should tell me something about yourself. I don't even know what you look like."

  I half playfully lifted my hand to the band of her neck. She gave it an astonishingly swift slap. I pulled it away in sudden pain. There were four tiny indentations on the back. From one of them a tiny bead of blood welled out as I watched. I looked at her silver fingernails and saw they were actually delicate and pointed metal caps.

  "I'm dreadfully sorry," I heard her say, "but you frightened me. I thought for a moment you were going to . . . "

  At last she turned to me. Her coat had fallen open. Her evening dress was Cretan Revival, a bodice of lace beneath and supporting the breasts without covering them.

  "Don't be angry," she said, putting her arms around my neck. "You were wonderful this afternoon."

  The soft gray velvet of her mask, molding itself to her cheek, pressed mine. Through the mask's lace the wet warm tip of her tongue touched my chin.

  "I'm not angry," I said. "Just puzzled and anxious to help."

  The cab stopped. To either side were black windows bordered by spears of broken glass. The sickly purple light showed a few ragged figures slowly moving toward us.

  The driver muttered, "It's the turbine, man. We're grounded." He sat there hunched and motionless.

  "Wish it had happened somewhere else."

  My companion whispered, "Five dollars is the usual amount."

  She looked out so shudderingly at the congregating figures that I suppressed my indignation and did as she suggested. The driver took the bill without a word. As he started up, he put his hand out the window and I heard a few coins clink on the pavement.

  My companion came back into my arms, but her mask faced the television screen, where the tall girl had just pinned the convulsively kicking Little Zirk.

  "I'm so frightened," she breathed.

  Heaven turned out to be an equally ruinous neighborhood, but it had a club with an awning and a huge doorman uniformed like a spaceman, but in gaudy colors. In my sensuous daze I rather liked it all. We stepped out of the cab just as a drunken old woman came down the sidewalk, her mask awry. A couple ahead of us turned their heads from the half-revealed face as if from an ugly body at the beach. As we followed them in I heard the doorman say, "Get along, grandma, and cover yourself."

  Inside, everything was dimness and blue glows. She had said we could talk here, but I didn't see how. Besides the inevitable chorus of sneezes and coughs (they say America is fifty per cent allergic these days), there was a band going full blast in the latest robop style, in which an electronic composing machine selects an arbitrary sequence of tones into which the musicians weave their raucous little individualities.

  Most of the people were in booths. The band was behind the bar. On a small platform beside them a girl was dancing, stripped to her mask. The little cluster of men at the shadowy far end of the bar weren't looking at her.

  We inspected the menu in gold script on the wall and pushed the buttons for breast of chicken, fried shrimps and two Scotches. Moments later, the serving bell tinkled. I opened the gleaming panel and took out our drinks.

  The cluster of men at the bar filed off toward the door, but first they stared around the room. My companion had just thrown back her coat. Their look lingered on our booth. I noticed that there were three of them.

  The band chased off the dancing girls with growls. I handed my companion a straw and we sipped our drinks.

  "You wanted me to help you about something," I said. "Incidentally, I think you're lovely."

  She nodded quick thanks, looked around, leaned forward. "Would it be hard for me to get to England?"

  "No," I replied, a bit taken aback. "Provided you have an American passport."

  "Are they difficult to get?"

  "Rather," I said, surprised at her lack of information. "Your country doesn't like its nationals to travel, though it isn't quite as stringent as Russia."

  "Could the British Consulate help me get a passport?"

  "It's hardly their—"

  "Could you?"

  I realized we were being inspected. A man and two girls had paused opposite our table. The girls were tall and wolfish-looking, with spangled masks. The man stood jauntily between them like a fox on its hind legs.

  My companion didn't glance at them, but she sat back. I noticed that one of the girls had a big yellow bruise on her forearm. After a moment they walked to a booth in the deep shadows.

  "Know them?" I asked. She didn't reply. I finished my drink. "I'm not sure you'd like England," I said. "The austerity's altogether different from your American brand of misery."

  She leaned forward again. "But I must get away," she whispered.

  "Why?" I was getting impatient.

  "Because I'm so frightened."

  There were chimes. I opened the panel and handed her the fried shrimps. The sauce on my breast of chicken was a delicious steaming compound of almonds, soy and ginger. But something must have been wrong with the radionic oven that had thawed and heated it, for at the first bite I crunched a kernel of ice in the meat. These delicate mechanisms need constant repair and there aren't enough mechanics.

  I put down my fork. "What are you really scared of?" I asked her.

  For once her mask didn't waver away from my face. As I waited I could feel the fears gathering without her naming them, tiny dark shapes swarming through the curved night outside, converging on the radioactive pest spot of New York, dipping into the margins of the purple. I felt a sudden rush of sympathy, a desire to protect the girl opposite me. The warm feeling added itself to the infatuation engendered in the cab.

  "Everything," she said finally.

  I nodded and touched her hand.

  "I'm afraid of the moon," she began, her voice going dreamy and brittle, as it had in the cab. "You can't look at it and not think of guided bombs."

  "It's the same moon over England," I reminded her.

  "But it's not England's moon any more. It's ours and Russia's. You're not responsible. Oh, and then," she said with a tilt of her mask, "I'm afraid of the cars and the gangs and the loneliness and Inferno. I'm afraid of the lust that undresses your face. And"—her voice hushed—"I'm afraid of the wrestlers."

  "Yes?" I prompted softly after a moment.

  Her mask came forward. "Do you know something about the wrestlers?" she asked rapidly. "The ones that wrestle women, I mean. They often lose, you know. And then they have to have a girl to take their frustration out on. A girl who's soft and weak and terribly frightened. They need that, to keep them men. Other men don't want them to have a girl. Other men want them just to fight women and be heroes. But they must have a girl. It's horrible for her."

  I squeezed her fingers tighter, as if courage could be transmitted—granting I had any. "I think I can get you to England," I said.

  Shadows crawled onto the table and stayed there. I looked up at the three men who had been at the end of the bar. They were the men I had seen in the big coupe. They wore black sweaters and close-fitting black trousers. Their faces were as expressionless as dopers. Two of them stood about me. The other loomed over the girl.

  "Drift off, man," I was told. I heard the other inform the girl, "We'll wrestle a fall, sister. What shall it be? Judo, slapsie or kill-who-can?"

  I stood up. There are times when an Englishman simply must be maltreated. But just then the foxlike man came gliding in like the star of a ballet. The reaction of th
e other three startled me. They were acutely embarrassed.

  He smiled at them thinly. "You won't win my favor by tricks like this," he said.

  "Don't get the wrong idea, Zirk," one of them pleaded.

  "I will if it's right," he said. "She told me what you tried to do this afternoon. That won't endear you to me, either. Drift."

  They backed off awkwardly. "Let's get out of here," one of them said loudly as they turned. "I know a place where they fight naked with knives."

  Little Zirk laughed musically and slipped into the seat beside my companion. She shrank from him, just a little. I pushed my feet back, leaned forward.

  "Who's your friend, baby?" he asked, not looking at her.

  She passed the question to me with a little gesture. I told him. "British," he observed. "She's been asking you about getting out of the country? About passports?" He smiled pleasantly. "She likes to start running away. Don't you, baby?" His small hand began to stroke her wrist, the fingers bent a little, the tendons ridged, as if he were about to grab and twist.

  "Look here," I said sharply. "I have to be grateful to you for ordering off those bullies, but—"

  "Think nothing of it," he told me. "They're no harm except when they're behind steering wheels. A well-trained fourteen-year-old girl could cripple any one of them. Why, even Theda here, if she went in for that sort of thing . . . " He turned to her, shifting his hand from her wrist to her hair. He stroked it, letting the strands slip slowly through his fingers. "You know I lost tonight, baby, don't you?" he said softly.

  I stood up. "Come along," I said to her. "Let's leave."

  She just sat there. I couldn't even tell if she was trembling. I tried to read a message in her eyes through the mask.

  "I'll take you away," I said to her. "I can do it. I really will."

  He smiled at me. "She'd like to go with you," he said. "Wouldn't you, baby?"

  "Will you or won't you?" I said to her. She still just sat there.

  He slowly knotted his fingers in her hair.

  "Listen, you little vermin," I snapped at him. "Take your hands off her."

  He came up from the seat like a snake. I'm no fighter. I just know that the more scared I am, the harder and straighter I hit. This time I was lucky. But as he crumpled back I felt a slap and four stabs of pain in my cheek. I clapped my hand to it. I could feel the four gashes made by her dagger finger caps, and the warm blood oozing out from them.

  She didn't look at me. She was bending over Little Zirk and cuddling her mask to his cheek and crooning, "There, there, don't feel bad, you'll be able to hurt me afterward."

  There were sounds around us, but they didn't come close. I leaned forward and ripped the mask from her face.

  I really don't know why I should have expected her face to be anything else. It was very pale, of course, and there weren't any cosmetics. I suppose there's no point in wearing any under a mask. The eyebrows were untidy and the lips chapped. But as for the general expression, as for the feelings crawling and wriggling across it . . .

  Have you ever lifted a rock from damp soil? Have you ever watched the slimy white grubs?

  I looked down at her, she up at me. "Yes, you're so frightened, aren't you?" I said sarcastically. "You dread this little nightly drama, don't you? You're scared to death."

  And I walked right out into the purple night, still holding my hand to my bleeding cheek. No one stopped me, not even the girl wrestlers. I wished I could tear a tab from under my shirt and test it then and there, and find I'd taken too much radiation, and so be able to ask to cross the Hudson and go down New Jersey, past the lingering radiance of the Narrows Bomb, and so on to Sandy Hook to wait for the rusty ship that would take me back over the seas to England.

  A PAIL OF AIR

  PA HAD sent me out to get an extra pail of air. I'd just about scooped it full and most of the warmth had leaked from my fingers when I saw the thing.

  You know, at first I thought it was a young lady. Yes, a beautiful young lady's face all glowing in the dark and looking at me from the fifth floor of the opposite apartment, which hereabouts is the floor just above the white blanket of frozen air four stories thick. I'd never seen a live young lady before, except in the old magazines—Sis is just a kid and Ma is pretty sick and miserable—and it gave me such a start that I dropped the pail. Who wouldn't, knowing everyone on Earth was dead except Pa and Ma and Sis and you?

  Even at that, I don't suppose I should have been surprised. We all see things now and then. Ma sees some pretty bad ones, to judge from the way she bugs her eyes at nothing and just screams and screams and huddles back against the blankets hanging around the Nest. Pa says it is natural we should react like that sometimes.

  When I'd recovered the pail and could look again at the opposite apartment, I got an idea of what Ma might be feeling at those times, for I saw it wasn't a young lady at all but simply a light—a tiny light that moved stealthily from window to window, just as if one of the cruel little stars had come down out of the airless sky to investigate why the Earth had gone away from the Sun, and maybe to hunt down something to torment or terrify, now that the Earth didn't have the Sun's protection.

  I tell you, the thought of it gave me the creeps. I just stood there shaking, and almost froze my feet and did frost my helmet so solid on the inside that I couldn't have seen the light even if it had come out of one of the windows to get me. Then I had the wit to go back inside.

  Pretty soon I was feeling my familiar way through the thirty or so blankets and rugs and rubbery sheets Pa has got hung and braced around to slow down the escape of air from the Nest, and I wasn't quite so scared. I began to hear the tick-ticking of the clocks in the Nest and knew I was getting back into air, because there's no sound outside in the vacuum, of course. But my mind was still crawly and uneasy as I pushed through the last blankets—Pa's got them faced with aluminum foil to hold in the heat—and came into the Nest.

  Let me tell you about the Nest. It's low and snug, just room for the four of us and our things. The floor is covered with thick woolly rugs. Three of the sides are blankets, and the blankets roofing it touch Pa's head. He tells me it's inside a much bigger room, but I've never seen the real walls or ceiling.

  Against one of the blanket-walls is a big set of shelves, with tools and books and other stuff, and on top of it a whole row of clocks. Pa's very fussy about keeping them wound. He says we must never forget time, and without a sun or moon, that would be easy to do.

  The fourth wall has blankets all over except around the fireplace, in which there is a fire that must never go out. It keeps us from freezing and does a lot more besides. One of us must always watch it. Some of the clocks are alarm and we can use them to remind us. In the early days there was only Ma to take turns with Pa—I think of that when she gets difficult—but now there's me to help, and Sis too.

  It's Pa who is the chief guardian of the fire, though. I always think of him that way: a tall man sitting cross-legged, frowning anxiously at the fire, his lined face golden in its light, and every so often carefully placing on it a piece of coal from the big heap beside it. Pa tells me there used to be guardians of the fire sometimes in the very old days—vestals, he calls them—although there was unfrozen air all around then and a sun too and you didn't really need a fire.

  He was sitting just that way now, though he got up quick to take the pail from me and bawl me out for loitering—he'd spotted my frozen helmet right off. That roused Ma and she joined in picking on me.

  She's always trying to get the load off her feelings, Pa explains. He shut her up pretty fast. Sis let off a couple of silly squeals too.

  Pa handled the pail of air in a twist of cloth. Now that it was inside the Nest, you could really feel its coldness. It just seemed to suck the heat out of everything. Even the flames cringed away from it as Pa put it down close by the fire.

  Yet it's that glimmery blue-white stuff in the pail that keeps us alive. It slowly melts and vanishes and refreshes the Nest a
nd feeds the fire. The blankets keep it from escaping too fast. Pa'd like to seal the whole place, but he can't—building's too earthquake-twisted, and besides he has to leave the chimney open for smoke. But the chimney has special things Pa calls baffles up inside it, to keep the air from getting out too quick that way. Sometimes Pa, making a joke, says it baffles him they keep on working, or work at all.

  Pa says air is tiny molecules that fly away like a flash if there isn't something to stop them. We have to watch sharp not to let the air run low. Pa always keeps a big reserve supply of it in buckets behind the first blankets, along with extra coal and cans of food and bottles of vitamins and other things, such as pails of snow to melt for water. We have to go way down to the bottom floor for that stuff, which is a mean trip, and get it through a door to outside.

  You see, when the Earth got cold, all the water in the air froze first and made a blanket ten feet thick or so everywhere, and then down on top of that dropped the crystals of frozen air, making another mostly white blanket sixty or seventy feet thick maybe.

  Of course, all the parts of the air didn't freeze and snow down at the same time.

  First to drop out was the carbon dioxide—when you're shovelling for water, you have to make sure you don't go too high and get any of that stuff mixed in, for it would put you to sleep, maybe for good, and make the fire go out. Next there's the nitrogen, which doesn't count one way or the other, though it's the biggest part of the blanket. On top of that and easy to get at, which is lucky for us, there's the oxygen that keeps us alive. It's pale blue, which helps you tell it from the nitrogen. It has to be colder for oxygen to freeze solid than nitrogen. That's why the oxygen snowed down last. Pa says we live better than kings ever did, breathing pure oxygen, but we're used to it and don't notice.

  Finally, at the very top, there's a slick of liquid helium, which is funny stuff. All of these gases are in neat separate layers. Like a pussy caffay, Pa laughingly says, whatever that is.

  I was busting to tell them all about what I'd seen, and so as soon as I'd ducked out of my helmet and while I was still climbing out of my suit, I cut loose. Right away Ma got nervous and began making eyes at the entry-slit in the blankets and wringing her hands together—the hand where she'd lost three fingers from frostbite inside the good one, as usual. I could tell that Pa was annoyed at me scaring her and wanted to explain it all away quickly, yet I knew he knew I wasn't fooling.